Salacious! Book Launch & Party!

Please join me and Rolyn Chambers this Thursday for a SALACIOUS double-fisted book launch. Rolyn is releasing his first book, The Boy Who Brought Down A Bathhouse, a collection of stories about the infamous St. Marc’s Spa.

RAID: Operation Soap was the play I produced last year with co-conspirator David Bateman. Operation Soap was the police code name for a highly organized simultaneous raid on four Toronto bathhouses and the catalyst for one of the most significant turning points in LGBT history.

I would be honoured if you could make it out to our book launch and celebrate with us! Performance legend Keith Cole will be in the house to recreate a short moment from the play and he’ll be accompanied by the super talented Stewart Borden on piano. I promise this will be a book launch launch you won’t soon forget!

As aspecial bonus, if you come dressed in just a towel I’ll give you a copy of the play for FREE!

SALACIOUS! Double Book Launch
& Art Party
Glad Day Bookshop
499 Church Street, TORONTO
Thursday November 23, 2017

The Boy Who Brought Down A Bathhouse
Rolyn Chambers

RAID: Operation Soap
Raymond Helkio with David Bateman


The End Of Please Like Me? Say It Isn’t So!

Originally published on

Josh Thomas has worn many hats in the in the making of Please Like Me; producer, director, writer and star but what makes the show so good is how enduringly funny the characters are. Loosely based on his own life the show boldly tackles a number of topics from mental illness, coming out, suicide, sex and STD’s all made more accessible through the sharing of food and music.

While being gay is integral to Josh’s character it’s not the focus of the show which makes him interesting as opposed to sterotypical gay characters which are often hyper-exaggerated, two-dimensional versions of themselves. In fact when Josh wrote the original script it was about a straight character but as he came out it became apparent the show itself should change so that it evolved with him.

With just four seasons under their belt the producers of the show (including Josh) decided to wrap it up. This is sad news for us Canadians because season four hasn’t officially arrived here yet. In their official statement they said they came to the decision “because we are really happy with what we’ve made and feel like it is complete.” I’m sure that’s partly true but they were searching for a season five partner to no avail, so it’s possible that the show will be back.

RAYMOND: What LGBT TV/film actor do you admire the most and why?
JOSH: Ummm, Gosh. It’s hard to think of LGBT actors, there really aren’t that many. Ellen Degeneres is obviously number one forever.

Considering queer people in Russia have been downloading your show, you’re an ‘accidental activist.’ Have there been other LGBT-related impacts that your show has had – intentionally or otherwise?
We’re now available in almost every country in the world and in SO MANY of them it’s illegal to be gay and to talk about being gay, many countries through Asia and Africa and of course the middle east. I live in the inner city of Melbourne and it’s so easy to forget how fucked it is to be gay in most of the world. I don’t really understand how they punish the gays – do they put them all in prison? Because that sounds kind of fun.

You have a ton of interaction with your fans online, how much time to do you devote to this?
Hahaha do I? Oh this is embarrassing, I should have more of a life. I sort of check my socials through the day when I am waiting for my Uber or whatever. I don’t think it’s that healthy to constantly be reading people’s opinions about me so I try and limit it.

What have your fan interactions taught you about human nature?
Seeing how much people feel they have in common with things my character are going through is always interesting, I thought I was a bit weirder than I am.

What’s the most challenging part of acting in and directing the same show?
Definitely it’s being in a scene with an actor where I’m trying to be present in the scene and just believe what the other actor is doing and then having to switch out and give them critiques. I don’t want them doing the scene conscious that I am judging what they’re doing and about to give notes but also . . .  I have to judge what they are doing and give notes. Also calling cut on make out scenes, I have to like yell it into the boys mouth.

The Sassy Side of Siri (Interview With Susan Bennett)

Originally published on MyGayToronto, Ray’s Anatomy

She’s a singer, voice actor and public speaker, but you most likely know Susan Bennett as the original voice of Siri, the built-in “intelligent assistant” that made it’s first appearance in the iPhone 4S. Short for Speech Interpretation and Recognition Interface, Siri uses artificial intelligence to respond to questions in a way that sounds natural and almost life-like.

Before Steve Jobs had introduced the iPhone, Bennett had been recording her voice for a third party text-to-speech company that Apple would ultimately purchase all of their voices from.  She worked fours hours a day for a month on a speech programming process called ‘concatenation.’ Bennett explains that “The recordings that ultimately became Siri were done to get all of the sound combinations in the language. I read thousands of phrases and sentences that were created for sound rather than content. Afterwards, technicians and computers went into the recordings, extracted sounds, and reformed them into new phrases and sentences. These became Siri’s and other virtual assistants’ responses on our devices. The first concatenated voices sounded really robotic and unnatural and that’s why the original Siri was so iconic: She was the first concatenated voice to sound human, and you could interact with her. Now, with each iteration of Siri, the voice is more and more natural, which is the result of improvements in technology.”

Siri is made even more life-like by the added sassiness which is partly due to the writers Apple hired to create cheeky responses to some common, often provocative, questions. And then there are those times when a Siri answer seems to border on snarky which as Susan explains to Time Magazine, “There are some people that can read hour upon hour . . . I get extremely bored . . . That’s one of the reasons why Siri might sometimes sound like she has a bit of an attitude. Those sounds might have been recorded the last 15 minutes of those four hours.”

How would you say the Voice Over (VO) industry has changed over the past decade?
The VO business has been completely revolutionized by technology over the past decade.  Even the way talent are hired has changed. In the past, most work was union, so the talent were paid fairly, and they had a union agent who kept an eye on things. They auditioned through the agent so there was a real structure in place. With the internet came lots of VO production companies, that had access to a lot of non-union work; and with technology came home recording studios, so talent began working at home, directly with the production companies, or directly with the client through their own companies.

In the past, VO was kind of a mysterious thing. People in the business, or people in related businesses like acting, music, jingle singing, etc, knew about it, but most people didn’t. That changed with movies like In a World, and the fact that VO was talked about a lot on the internet and social media. The result is that there are now thousands of people out there competing for voice work, which makes it more difficult than in the past. The voice actor has to be his/her own agent, marketer, accountant, engineer, and talent. There’s a lot of opportunity, but the talent can no longer just get by on reading copy.

What’s the most significant thing that changed in after discovering you were the voice of Siri?
The fact that I was the original voice of Siri! It had a lot of repercussions on my career and it took me many months to get used to it. However, it ended up becoming a very interesting part of my life and I’ve begun a new career because of it; doing speaker events in which I talk about Siri, the VO business, and how it all affected me.

Touring with Burt Bacharach or Roy Orbison, which was the richer creative experience for you?
That’s a very difficult question to answer, because the two experiences were very different. I only toured with Burt for a few weeks but it made a huge impact. I got to sing with him surrounded by a full orchestra, so it was incredible, musically. I toured for two years with Roy and his five piece band, plus two other singers. My first gig was in Bulgaria televised to ten million people. I made some very good friends on that tour, and I also got to sing a duet with Roy, playing the Emmy Lou Harris part in “That Loving You Feeling Again” so it was an important part of my life, both musically and personally.